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Fanfiction

III-2 - Werewolf Season

written by Jonathan Barron

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About this story

Published: 1997 | Size: 33 KB (6225 words) | Language: english | Rating: R
Average: 2.1/5   2.1/5 (10 votes)
Abstract:
A MSCL and "John Constantine, Hellblazer" crossover

based on stories and characters created by Winnie Holzman

EXT. STREET - DAY

The quaint, suburban neighborhood is quiet on this pleasant
winter day. Then the quiet is broken as a red Plymouth comes
SCREECHING around the corner. The engine REVS. The car
SLAMS on the brakes, then FISH-TAILS around the next corner.
The sound of ANGELA'S LAUGHTER can be heard OVER this shot.


EXT. CHASE HOUSE/DRIVEWAY - DAY

The red Plymouth comes barrelling around the corner, then
SLIDES into the driveway of the Chase house, leaving black
tire marks in the street. The car STOPS, perfectly parked.
The ENGINE DIES. Angela gets out of the car and heads for
the front door when she stops and looks back at the car.

ANGELA

(laughs)
Well, come on!

The passenger side door opens. A beat. Then Jordan falls
out and collapses to the ground. Angela laughs and sprints
over to Jordan, who stares straight up at the sky.

ANGELA

You have to admit, I'm getting
better, aren't I?

JORDAN
I, like, need a drink.

Angela helps Jordan to his feet and they head into the house.


INT. KRAKOW HOUSE/LIVING ROOM - NIGHT

CLOSE ON A TV
On the tube, Abbott backs up, away from Dracula, and starts
gesturing wildly to Costello, then the wall swivels just as
Costello turns around.
They are safe from the legendary vampire prince... for now.
On the couch, Brian is flat on his back, the Pencil Girl
above him. She kisses him passionately. Brian flails
around, barely able to keep up with her. The Pencil Girl
takes Brian's hands and places them on her rear. Brian's
eyes bulge and he makes a whimpering sound. Then, the Pencil
Girl takes Brian's hands and places them up above his head.
She holds his hands against the armrest of the couch as she
begins to rock back and forth. Brian shuts his eyes in
ecstatic bliss, then his eyes open wide.


EXT. ROLLER COASTER - DAY


Brian sits alone in the head car of a roller coaster as it
begins a massive drop straight down.

BRIAN
Eeeeeeaaaaaaaaaggghhhhhh!!!


EXT. AIRPLANE/SKY - DAY

Brian stands at the open doorway of an airplane, 7,000 feet
in the air. He shakes his head "no" vigorously, but someone
behind him shoves him out the door. As he plummets:

BRIAN
Eeeeeeaaaaaaaaaggghhhhhh!!!


INT. KRAKOW HOUSE/LIVING ROOM - NIGHT

The Pencil Girl thrusts herself against Brian. Forcefully.
Brian grunts twice, then passes out. Heavy breathing from
the Pencil Girl. She lifts herself up and looks at the
unconscious Brian.

PENCIL GIRL
Hey. Hey. Are you...?

Brian begins to snore. The Pencil Girl climbs off Brian and
picks up the remote to the TV. She flips to MTV, takes
another look at Brian, and sighs.


EXT. CITY STREET - NIGHT

Down the block is a movie set. Cameras, bright lights, and
tons of UNION CREW-MEMBERS who are sitting around playing
cards and other really important tasks litter the block.
Trucks are parked on either side of the street.
A PRODUCTION ASSISTANT shoos away an irate DRIVER.

DRIVER
But I live on the block! Where the
hell am I supposed to park?!

PRODUCTION ASSISTANT
Not my problem. We posted flyers.
Move along. Move along. Can't park
here. Get towed. Move along.

The Driver gets back into his car and drives off, giving the
Production Assistant the finger as he disappears around the
corner.
From down the block, Hallohan, Liberty High's newest guidance
counselor, stands, watching the movie crew. He turns and
begins walking down a perpendicular block.


INT. DANES APARTMENT/FRANK'S ROOM - NIGHT

Frank Danes sits at his desk, doing his science homework,
when there's a TAP at the window. He slowly turns around in
his chair. There's nothing at the window except the building
across the street. Frank turns back to his science book. A
beat, then another TAP at the window. Frank swivels around.
Nothing. He slowly rises from his chair, goes to the window,
and looks out. The street four stories below is empty.
Then, a long blanket of cloth drops down in front of the
window, outside.

HALLOHAN (O.S.)
(from outside the
window)
Damn!

Frank looks up. Hallohan hangs upside down, above the
window, trying to pick up his long coat that dangles around
him like wings. Hallohan looks at Frank, then opens his
mouth wide, revealing fangs.
Frank starts to yell, but like lightning striking, Hallohan
SHATTERS the window, grabs Frank, and yanks him out into the
cold night air.
Hallohan's mouth caresses Frank's neck, then he sinks his
teeth in and chomps away, frenetically.
Frank's feet kick furiously as we hear the WET, BONE-
CRUNCHING sound of Frank's jugular being bitten through.
Blood runs down Frank's jeans, staining his white sneakers,
which, finally, stop kicking. A beat, then Frank's body
falls the four stories to the sidewalk, landing with a limp,
SQUISHY sound.


EXT. CHURCH/SIDEWALK - NIGHT

Hallohan rounds the corner, wiping his mouth with a
handkerchief. He licks his lips.

HALLOHAN
Mmm-mmm good!

Hallohan tosses the handkerchief away in a garbage can, then
stops and looks at the church in front of him. He snarls and
hisses.
A CAT, standing on the church steps, raises its back and
hisses at Hallohan, then takes off running down the block.

HALLOHAN
Oh, what the hell. There's always
room for desert.

At lightning speed, Hallohan bolts down the block after the
cat.


EXT. STAIRWAY - NIGHT

The cat comes flying down the stairway, then starts up the
wall, but Hallohan snatches the cat up and bites into its
neck. He CHOMPS down, then twists the cat's head off with
his teeth. He spits the cat's head out. It bounces off the
wall and rolls into a corner. Hallohan lifts the cat's body
up over his head and drinks the blood that pours out. When
he's had enough, Hallohan throws the cat's body against the
way where it sticks with a LIQUID "SPLUTCH". A beat, then
the cat's body slides off the wall and to the ground.

HALLOHAN
Ugh. I always forget how much I hate
the taste of pussy blood.

Then, Hallohan freezes. He cocks his head and listens.

HALLIE (O.S.)
(very faintly)
Help...

Hallohan places his ear against a wall.

HALLIE (O.S.)
(faintly)
Help...

Hallohan steps back and throws all his weight against the
wall. The bricks start to give. Hallohan tries again and
this time the brick wall COLLAPSES inward.


INT. CATACOMBS - NIGHT

Hallohan stands at the newly-created opening, looking down at
GRAHAM, who's dead, and HALLIE, who isn't, but probably
wishes she were.

HALLIE
(whispers)
Help...

Hallie is, for all intents and purposes, out of it. Her
calls for help are simply an echo of whatever part of her
used to be conscious. Hallohan bends down over Hallie and
props her head up with his hands. Stirred by the motion,
Hallie is barely able to open her eyes, but only a crack.
Hallie manages the barest of smiles for her savior.

HALLIE
(whispers)
He... wouldn't eat... the TV
dinners... but I did.

And with that Hallie passes out. Hallohan gently strokes her
face. He looks shell-shocked.

HALLOHAN
I'm in love.

Hallohan brushes her hair away from her neck.

HALLOHAN
All right, gorgeous. You know what
a Slow Bleed is? It's when a vampire
drains you -- that's right, you
guessed it -- slowly. You see, what
kills you mortals is the trauma of
having your blood sucked out all at
once. It's a hell of a shock to the
system.

Hallohan places his fangs against Hallie's neck and applies
the smallest amount of pressure until he breaks through the
skin. He sucks her blood, then Hallohan bites at his own
wrist and pours his blood into Hallie's mouth.

HALLOHAN
But if your body is given time to
regenerate plasma which is tainted
with my own blood, hey, we're surfing
vamp city, babe.

Hallohan begins to suck Hallie's blood again, then stops. He
lets his own blood drip into Hallie's mouth.

HALLOHAN
God, you taste you good.

Hallie begins to regain consciousness, then suddenly she goes
into massive convulsions. Hallohan holds her tightly, like
a rock, as she kicks and spasms.

HALLOHAN
That's it, girl. That's it. Just
let it ride its course through that
incredible body of yours.

After what seems like forever, Hallie finally goes limp,
exhausted, and passes out again. Hallohan lifts her up and
heads for the hole in the wall.

HALLOHAN
You know that expression, "Life's a
bitch"? Well, I always thought that
death was the bitch, but then I died.
I found out she's not so bad at all,
is she? She's quite nice. A bit
young, but very perky. Tell her I
say "hi". I'll be here when you get
back.

Hallohan exits the catacombs with Hallie in his arms.


INT. KRAKOW HOUSE/LIVING ROOM - NIGHT

Brian is still asleep on the couch. He wakes up and
stretches like a little baby. Then he sits straight up and
looks around. The Pencil Girl is gone. He rises from the
couch and starts walking around.

BRIAN
Hello?

Brian starts up the stairs that lead to the second floor.


INT. KRAKOW HOUSE/UPSTAIRS HALLWAY - NIGHT

Krakow reaches the top of the stairs.

BRIAN
Hello?

Brian hears a CLINKING sound coming from a room at the end of
the hall.


INT. KRAKOW HOUSE/MASTER BEDROOM - NIGHT

The Pencil Girl stands in front of a closet in the master
bedroom. The door opens.

BRIAN
Um, you, like shouldn't really be in
here.

The Pencil Girl turns to Brian.

PENCIL GIRL
Come sit on the bed.

BRIAN
Um... would it be all right if I
just, you know, changed clothes?

PENCIL GIRL
Just for a second.

Brian sits down on his parents' bed. The Pencil Girl
approaches.

PENCIL GIRL
I found some interesting things in
your parents' closet.

BRIAN
Um, like what?

Quickly, the Pencil Girl lashes out and... CLANK! Brian's
wrist is handcuffed to the head of the bed.

PENCIL GIRL
Fun toys.

The Pencil Girl smiles wide at Brian, like a cat to a canary.


EXT. CHASE HOUSE - NIGHT

It's dark inside the Chase house and quiet throughout the
neighborhood. A dog HOWLS somewhere off in the distance.


INT. CHASE HOUSE/UPSTAIRS HALLWAY - NIGHT

Corey, naked, exits Rickie's room and walks to the bathroom
at the end of the hall. He tries the knob, but it's locked.
A toilet FLUSHES o.s. and Jordan, naked, too, opens the door.

COREY
Oh.

Jordan and Corey stand there in their birthday best, staring
at each other.

COREY
Hey.

JORDAN
Hey.

One hell of an awkward beat.

JORDAN
Have you ever read "Dracula"?

COREY
No. Do you like fried chicken?

JORDAN
What?

COREY
Uh, never mind. It was just...
Dustin Hoffman, Meryl Streep, that
kid... forget it.

Corey ducks inside the bathroom and shuts the door. Jordan
shrugs and heads back to Angela's room.


INT. CHASE HOUSE/ANGELA'S ROOM - NIGHT

Angela lies in bed when Jordan enters. He climbs into bed
with her.

JORDAN
I ran into that kid.

ANGELA
Ran into... Rickie?

JORDAN
No, the white kid that looks like the
Blue Power Ranger.

ANGELA
Corey.

JORDAN
Yeah, he was going to the, you know,
bathroom. He and Richie hang out a
lot, don't they?

ANGELA
Rickie. And, yeah, Corey sleeps over
as much as you do. Are you sure it's
all right with your dad that you
spend, like, every night here?

JORDAN
It's kinda like they're, you know,
gay or something.

Jordan rolls over and shuts his eyes.

ANGELA
They are gay. Didn't you know?

JORDAN
Who's gay?

ANGELA
Rickie and Corey!

JORDAN
Richie and Corey are fags?!

ANGELA
Jordan!

JORDAN
I've been sleeping in the same house
as a couple of butt-buddies?!

ANGELA
Jordan, keep your voice down!

Jordan throws off the covers and starts getting dressed.

ANGELA
What are you doing?

JORDAN
I didn't know they were fags.
They've been, like, doing it all this
time?

ANGELA
Well, so have we.

JORDAN
Yeah, but, like, which one's the man
and which one's the woman?

ANGELA
Jordan!

JORDAN
What's everyone at school think of me
now, spending every night in a house
with two faggots? That I'm one, too?

ANGELA
No one at school thinks anything of
you. And stop calling them fags.
Where are you going?

Jordan opens the door. Angela gets of bed and throws a
blanket around her. She follows him.


INT. CHASE HOUSE/LIVING ROOM - NIGHT

Jordan comes down the stairs and goes to the front door.

ANGELA
Jordan, wait!

Jordan throws open the door and turns to Angela.

JORDAN
Look, I'm not... It's not, like...
We! Are okay. Okay? I just can't,
like, stay in this house. Not
tonight.

ANGELA
Jordan, come back inside. It's
freezing. Please, come back inside.
I don't -- I don't want to be alone.
Not with Danielle and my parents, you
know...

Angela goes to Jordan and wraps the blanket around the both
of them. They kiss, then Jordan steps away from her.

JORDAN
I'll be back before school to pick
you up, okay?

He exits the house.


EXT. CHASE HOUSE - NIGHT

Angela steps outside the house and watches Jordan get into
his car. The front door shuts behind her. Jordan drives
away. Angela turns and tries the door. It's locked.

ANGELA
Awwwww, man...

Angela looks around the neighborhood, sighs, then heads
around the side of the house.

FROM THE WOODS
something watches Angela. We can hear its HEAVY BREATHING.


EXT. CHASE HOUSE/BACKYARD - NIGHT

Angela comes around the corner of the house and walks to the
back-door.
She spins around when she hears a RUSTLING in the woods.
Angela freezes.

ANGELA
(whispers)
Hello...?

More RUSTLING. Angela bolts for the back-door. She yanks on
it, but it's locked. A GROWL from the woods causes Angela to
start BANGING on the door. Suddenly, the door opens wide and
Angela goes tumbling inward with a scream.


INT. CHASE HOUSE/KITCHEN - NIGHT

Rickie stands over Angela. He helps her to her feet.

RICKIE
Angela! Are you all right?! What
were you doing out there?!

Angela SLAMS the back-door and locks it. She turns to Rickie
and then sees Corey sitting on the kitchen counter. He's
eating cheese.

COREY
You okay?

ANGELA
Uh, yeah! I was... I got locked out
and -- and I just got really spooked,
that's all. What, um, what are you
guys, like, doing?

RICKIE
Midnight snack.

COREY
Want some cheese?


EXT. CHASE HOUSE/BACKYARD - NIGHT

A GROWL from deep within the woods, then more RUSTLING.
Suddenly, a WOLF CREATURE launches itself from the woods and
lands with a solid THUD. Unlike the Delia wolf creature,
this one stands on its hind-legs, like a human.
The wolf creature spins around, facing the direction it came
from, when the huge Dark Wolf that saved Sharon bursts from
the woods and SLAMS into the first creature. Both wolves
tumble over, slashing at each other, then they separate and
face off.
The Dark Wolf GROWLS at the wolf creature when suddenly the
back-door is thrown open and Rickie, Angela, and Corey stand
there gaping at the two wolves. The wolf creature turns to
the three teenagers and ROARS at them, ready to pounce. The
Dark Wolf launches itself at the wolf creature, but the
creature SLAMS its fist into the Dark Wolf. It is sent
flying backward, where it lands in the snow with an awful
"THUD". The Dark Wolf lies very still, not moving. The wolf
creature turns back toward Angela and the others.

RICKIE
Nuh-nice doggie!

The wolf creature is about to pounce when, from the woods:

SHARON (O.S.)
(wolf voice)
No!

A third wolf creature leaps from the woods. It back-flips
through the air, arcing gracefully, and lands in-between the
first wolf creature and the teenagers.
Standing in the moonlight, we can clearly see that the latest
lupine newcomer is Sharon. Her shapely body, while covered
in fur, stands upright, like the first wolf creature. Her
eyes are the same, but her mouth and nose are slightly
extended in a snout and her wild hair is part fur. When
Sharon speaks it is in a rough, animalistic voice.

ANGELA
Sharon?

RICKIE
She's a -- she's a...

COREY
She-wolf.
(quick beat)
Cool.

SHARON
(wolf voice; to first
wolf creature)
Back off!

Sharon punctuates her order with a GROWL.

SHARON
(wolf voice)
Did you hear me? I told you to stay
away from them!

The first wolf creature lets loose with a LOW GROWL. It
takes a threatening step forward.

SHARON
(wolf voice)
I'm warning you, Kyle!

ANGELA
Kyle?! That thing is Kyle?!

KYLE
(wolf voice)
But I love you, Sharon! I want you
to be my mate! I'd do anything for
you!

SHARON
(wolf voice)
But you're not my alpha male, Kyle.
I don't love you.

The Dark Wolf comes to and rises, weakly.

KYLE
(wolf voice)
I -- I'm going to kill them for you,
Sharon! I'm going to do it because
you want them dead! Because I love
you!

SHARON
(wolf voice)
No! I wanted Jordan dead, but that
was before the Change! Now I realize
it doesn't matter what happens with
them! We exist in a different world
than they do! They're petty! What
means the end of the world to them is
meaningless to us! They don't matter!

RICKIE
Well, like, excuse us.

KYLE
(wolf voice)
I -- I don't understand what you're
saying! All I can think about is the
kill! I have to kill for you, Sharon!

SHARON
Kyle, you're all confused. The
Animal is taking control, but you
can't let it. You need help.

KYLE
(wolf voice)
Help?! What kind of help can I use?!
They have a twenty-four hour hot-line
for werewolves?! No!

The Kyle wolf creature launches itself at Sharon. She braces
for the impact, but the Dark Wolf SLAMS into Kyle and sends
him flying into a tree. The trunk CRACKS from the force of
the impact.
The Dark Wolf's form shifts. It stands up on its hind-legs
like Sharon and Kyle. When it talks, the Dark Wolf speaks
with Rick Derringer's voice, but, surprisingly, it has only
the slightest hint of animalistic tone.

RICK
(to Sharon)
Go. Get them out of here.

SHARON
(wolf voice)
What are you going to do to Kyle?
Don't...!

RICK
Kill him, if I have to. I'm sorry.
Go.

The Rick Dark Wolf gallops toward Kyle and pounces on him.
Sharon runs toward the back-door. Rickie shrieks and starts
to slam the door.

ANGELA
No!

Angela opens the door just as Sharon bursts in. All three
teens fall backward to the floor.

SHARON
(wolf voice)
Sorry.

ANGELA
Sharon! What...?! What...?!

SHARON
(wolf voice)
What, what, Angela?! I have very
little patience these days! It's one
of the side-effects of my condition!
I'm, like, barely keeping my temper
in check here!

Sharon looks Angela up and down.

SHARON
(wolf voice)
Angela, did I ever tell you that your
body is filling out quite nicely?

ANGELA
That's gross!

RICKIE
Would that be, like, considered
lesbianism or bestiality?

Sharon shoves Rickie, Corey, and Angela toward the door to
the dining room.

SHARON
(wolf voice)
Move!


INT. CHASE HOUSE/DINING ROOM - NIGHT

Angela, Corey, and Rickie burst into the living room shoved
along by Sharon. They make a bee-line for the front door.

RICKIE
Hey, is that Rick? He's, like,
gorgeous. Even as a dog.

COREY
I know! Isn't he?!

SHARON
(wolf voice)
He's not a dog! Move!

COREY
(to Sharon)
You are so lucky.

SHARON
(wolf voice)
Thank you! Move!

ANGELA
But where are we going? Jordan isn't
here! We've got no car!

SHARON
(wolf voice)
Brian's got one! Go! Go!

ANGELA
Krakow?!

The three dash out the front door.


EXT. CHASE HOUSE - NIGHT

Sharon and the three human teenagers scramble across the
street to the Krakow house.


EXT. KRAKOW HOUSE - NIGHT

Angela starts BANGING on the door while Rickie presses the
DOORBELL.

COREY
You think he's home?

Sharon throws herself at the door and BREAKS IT DOWN.

SHARON
(wolf voice)
Knock, knock.


EXT. CHASE HOUSE/BACKYARD - NIGHT

The Rick and Kyle wolves circle each other.

KYLE
(wolf voice)
Stay the hell away from her, Rick!
Sharon's mine!

RICK
You'd better learn quick when to back
off, puppy-dog, or I'm going to smack
your nose with a rolled-up newspaper
and laugh my tail off when I hear you
whimper.

Kyle HOWLS in rage and leaps at Rick. The two tear into each
other.


INT. KRAKOW HOUSE/LIVING ROOM - NIGHT

ANGELA
I don't think he's home.

Sharon sniffs the air.

SHARON
(wolf voice)
He's home. And he's got company.
This way.

Sharon bounds up the stairs seven at a time.


INT. KRAKOW HOUSE/UPSTAIRS HALLWAY - NIGHT

Sharon reaches the top of the stairs in no time. Angela,
Rickie, and Corey struggle to catch up. Sharon turns to a
door at the end of the hall.

SHARON
They're in there.

RICKIE
"They"?


INT. KRAKOW HOUSE/MASTER BEDROOM - NIGHT

Sharon opens the door. Rickie, Angela, and Corey stand
behind her with stunned expressions.

ANGELA
Krakow...

Brian sits on the bed, his back against the headboard. He's
decked out in leather shorts and a leather harness that criss-
crosses over his chest. Each wrist is handcuffed to the bed
and he has a leather gag over his mouth. He stares wide-eyed
at the new people at the door.
The Pencil Girl stands by the side of the bed, holding a
riding crop and wearing a leather teddy and a leather
baseball cap. She turns casually to Sharon and the others.

PENCIL GIRL
I thought I heard someone downstairs.
Come to join the party?

SHARON
It's tempting, but no.

Brian takes a wild-eyed look at Sharon in her wolf form.

BRIAN
(muffled)
Phannen?!

SHARON
(wolf voice)
Come on. We've got to go. Where are
the keys to the cuffs?

PENCIL GIRL
Keys?

SHARON
(wolf voice)
Never mind.

Sharon twists the handcuffs. They snap in half. Brian
winces in pain.

PENCIL GIRL
(to Sharon)
That is such a hot look for you.

Sharon smiles at the Pencil Girl and sidles up beside her.
Sharon strokes the Pencil Girl's riding crop.

SHARON
(wolf voice)
I can return the compliment. You're
lookin' fine, girlfriend. What did
you say your name was?

Sharon leans in close to the Pencil Girl and runs a clawed
finger along the Pencil Girl's chest.

RICKIE
Are, like, the stars aligning or
something? What's with the libido,
Sharon?

Sharon pulls away from the Pencil Girl.

SHARON
(wolf voice; to Brian)
Come on. We've got to get your
parents' car keys and get the hell
out of Dodge.

Brian ogles Sharon's ample chest. She looks down at where
he's staring.

SHARON
(wolf voice)
What the hell are you staring at?!

BRIAN
My, what large breasts you have,
Grandma!

SHARON
(wolf voice)
Shut up, Krakow, or I'll eat your
goddamn liver!

Brian turns pale. He looks like he might even throw up.

SHARON
(wolf voice)
Now go get the car keys, bondage boy!

BRIAN
But none of us can drive!

SHARON
(wolf voice)
Nnnnuhhh-rraaarrggghhhhh!!!

Sharon throws a punch at Brian -- CRUMP! She strikes the
headboard instead, cracking it in two. Brian stares at the
headboard.

BRIAN
Kuh-kuh-kuh...

SHARON
(wolf voice)
Keys!


EXT. CHASE HOUSE/BACKYARD - NIGHT

A loud PUNCH. The Rick Dark Wolf sails through the air and
LANDS on the ground. Kyle sneers at Rick, then spins around.
He runs to the side of the Chase house. Rick rises and
shakes his head to clear it. He shifts back into his fully
lupine Dark Wolf form and pursues Kyle.


EXT. KRAKOW HOUSE/DRIVEWAY - NIGHT

The garage door begins to OPEN.

SHARON (VO)
(wolf voice)
Are you sure you can drive?

ANGELA (VO)
Positive!

A Range Rover goes TEARING out of the garage. Angela sits in
the driver's seat. The rest of the gang is piled into the
car around her.


INT. RANGE ROVER - NIGHT

BRIAN
I don't even have time to change?!

Angela FISH-TAILS the Range Rover out of the driveway and
into the street just as the Kyle wolf creature LANDS on the
hood of the car. Everyone screams.

SHARON
(wolf voice)
Peel! Peel!

Angela SLAMS on the accelerator and guns it. Kyle flies over
the roof of the car as it takes off down the street.

KYLE
(wolf voice)
Shhhhaaarrruuuuhhnnnn!

Without missing a beat, Kyle turns and starts after the car.
From around the corner of the Chase house, the Dark Wolf
emerges, running after Kyle.

BRIAN
There's, like, a really big dog after
us, guys!

RICKIE
Ohmigod! I have to pee!

SHARON
(wolf voice)
I've got to help.

Sharon pulls back her fist and aims it the window.

BRIAN
What are you doing?! Roll it down!
Roll it down!

Sharon PUNCHES the window, SHATTERING it.

BRIAN
What's wrong with you?!

SHARON
(wolf voice)
Oh. Sorry. I forget things when I'm
like this.

Sharon starts to climb out the window. As she gets her waist
out the window, the Pencil Girl reaches over and pets
Sharon's backside.

PENCIL GIRL
Ooo. Smooth.


EXT. RANGE ROVER - NIGHT

Sharon climbs up onto the roof of the Range Rover. She takes
careful aim and leaps.


EXT. STREET - NIGHT

Sharon COLLIDES solidly with Kyle. The two go tumbling end
over end as the Range Rover rounds another corner and
disappears from sight.
Kyle is the first to his feet. He grabs Sharon by the neck
when the Dark Wolf SLAMS into him. Rick quickly shifts into
his upright form, then starts to BASH Kyle's head into the
ground over and over. Sharon grabs a hold of Rick's arm. He
SNARLS at her and throws her off, then continues to BASH
Kyle's head. Sharon picks herself up and pounces on Rick,
RIPPING AND CLAWING at his back. Rick HOWLS in pain, but
stops bashing Kyle's noggin.
Sharon and Rick remain motionless as their heavy breathing
dies down. Rick lifts Kyle's head. His head is a bloody
mess.

SHARON
(wolf voice)
Is he dead?

Rick lets Kyle's head drop to the ground with a THUD, then
Rick shifts into his nude human form.

SHARON
(wolf voice)
You can do that at night?

RICK
You'll learn.


INT. RANGE ROVER - NIGHT

Angela continues to drive.

BRIAN
Where are we going?! Where are we
going?!

ANGELA
I don't know! I don't know!

RICKIE
I've, like, really got to pee!


EXT. ROOFTOP - NIGHT

High atop a downtown building, Hallohan sits at the edge of
a rooftop, staring out at the city beyond. Hallie, now known
as Vamp Hallie, lies on the edge next to Hallohan, her head
resting in his lap. Slowly, she stirs, then wakes. She
opens her eyes and looks up at Hallohan.

HALLOHAN
Hey, gorgeous.

Vamp Hallie starts to turn over. Hallohan grabs her and
pulls her back to the safe side of the roof.

HALLOHAN
Whoops! Careful. Long way down.

The two stand up and back away from the edge. Hallohan is
careful to make sure Vamp Hallie is steady.

VAMP HALLIE
How'd I get up here?

HALLOHAN
I carried you.

VAMP HALLIE
And who are you again?

HALLOHAN
I'm Hallohan.

VAMP HALLIE
Hallohan? That's funny. I'm Hallie.

HALLOHAN
It's cosmic destiny, I'm telling you.

VAMP HALLIE
I'm thirsty. Where's Graham?

HALLOHAN
Your friend who was with you beneath
the church?

Vamp Hallie nods yes.

HALLOHAN
Um. Bad news, love.

THE SUN
begins its slow ascent into the sky as Hallohan tells Vamp
Hallie about the night's events. We're too far way to hear.
Vamp Hallie drops to her knees.

HALLOHAN
I'm sorry.

VAMP HALLIE
That patchwork bitch.

Vamp Hallie wipes tears from her eyes. She looks at her
fingers. There's blood on them.

VAMP HALLIE
Oh, God...

Vamp Hallie looks up at Hallohan. She's crying tears of
blood. Hallohan licks his fingers and wipes the streaked
blood off Vamp Hallie's face. He eyes the rising sun
nervously.

HALLOHAN
Look, gorgeous, um, that orange orb
in the sky means that we've got to
vamoose or it's flambe time. And
I've got to get to work, too. But
I'll meet you after dark. I got a
project for you. Consider it payback
for saving your life.

Hallohan steps up on the roof's edge and reaches his hand out
to Vamp Hallie. She takes it and steps up next to Hallohan.
Together, they both step off the roof and disappear from
sight.



END OF PART II

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III-3 - Vamp Fiction by Jonathan Barron
Published: 1997 | Size: 28 KB (5351 words) | Language: english english | Rating: R
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A MSCL and "John Constantine, Hellblazer" crossover

Read this story now: III-3 - Vamp Fiction
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  • Amy commented on 20 Oct 2004:
    What? No Rayanne this time? What good is am MSCL story w/o Rayanne? She's the only reason i ever even watched the show!
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“And, you know, with your hair like that? It hurts to look at you.”

Rayanne Graff, Episode 1: "My So-Called Life (Pilot)"