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Fanfiction
III-2 - Werewolf Season
written by Jonathan Barron
jump to next story | jump to reviews | go back to fanfiction index
About this story
Published: 1997 | Size: 33 KB (6225 words) | Language: english | Rating: RAverage: 2.1/5 2.1/5 (10 votes)
A MSCL and "John Constantine, Hellblazer" crossover
based on stories and characters created by Winnie Holzman
EXT. STREET - DAY
The quaint, suburban neighborhood is quiet on this pleasant The red Plymouth comes barrelling around the corner, then ANGELA
(laughs) The passenger side door opens. A beat. Then Jordan falls ANGELA
You have to admit, I'm getting JORDAN Angela helps Jordan to his feet and they head into the house.
CLOSE ON A TV BRIAN Brian stands at the open doorway of an airplane, 7,000 feet BRIAN The Pencil Girl thrusts herself against Brian. Forcefully. PENCIL GIRL Brian begins to snore. The Pencil Girl climbs off Brian and Down the block is a movie set. Cameras, bright lights, and DRIVER PRODUCTION ASSISTANT The Driver gets back into his car and drives off, giving the Frank Danes sits at his desk, doing his science homework, HALLOHAN (O.S.) Frank looks up. Hallohan hangs upside down, above the Hallohan rounds the corner, wiping his mouth with a HALLOHAN Hallohan tosses the handkerchief away in a garbage can, then HALLOHAN At lightning speed, Hallohan bolts down the block after the The cat comes flying down the stairway, then starts up the HALLOHAN Then, Hallohan freezes. He cocks his head and listens.
HALLIE (O.S.) Hallohan places his ear against a wall.
HALLIE (O.S.) Hallohan steps back and throws all his weight against the Hallohan stands at the newly-created opening, looking down at HALLIE Hallie is, for all intents and purposes, out of it. Her HALLIE And with that Hallie passes out. Hallohan gently strokes her HALLOHAN Hallohan brushes her hair away from her neck.
HALLOHAN Hallohan places his fangs against Hallie's neck and applies HALLOHAN Hallohan begins to suck Hallie's blood again, then stops. He HALLOHAN Hallie begins to regain consciousness, then suddenly she goes HALLOHAN After what seems like forever, Hallie finally goes limp, HALLOHAN Hallohan exits the catacombs with Hallie in his arms.
Brian is still asleep on the couch. He wakes up and BRIAN Brian starts up the stairs that lead to the second floor.
Krakow reaches the top of the stairs.
BRIAN Brian hears a CLINKING sound coming from a room at the end of The Pencil Girl stands in front of a closet in the master BRIAN The Pencil Girl turns to Brian.
PENCIL GIRL BRIAN PENCIL GIRL Brian sits down on his parents' bed. The Pencil Girl PENCIL GIRL BRIAN Quickly, the Pencil Girl lashes out and... CLANK! Brian's PENCIL GIRL The Pencil Girl smiles wide at Brian, like a cat to a canary.
It's dark inside the Chase house and quiet throughout the Corey, naked, exits Rickie's room and walks to the bathroom COREY Jordan and Corey stand there in their birthday best, staring COREY JORDAN One hell of an awkward beat.
JORDAN COREY JORDAN COREY Corey ducks inside the bathroom and shuts the door. Jordan Angela lies in bed when Jordan enters. He climbs into bed JORDAN ANGELA JORDAN ANGELA JORDAN ANGELA JORDAN Jordan rolls over and shuts his eyes.
ANGELA JORDAN ANGELA JORDAN ANGELA JORDAN ANGELA Jordan throws off the covers and starts getting dressed.
ANGELA JORDAN ANGELA JORDAN ANGELA JORDAN ANGELA Jordan opens the door. Angela gets of bed and throws a Jordan comes down the stairs and goes to the front door.
ANGELA Jordan throws open the door and turns to Angela.
JORDAN ANGELA Angela goes to Jordan and wraps the blanket around the both JORDAN He exits the house.
Angela steps outside the house and watches Jordan get into ANGELA Angela looks around the neighborhood, sighs, then heads FROM THE WOODS Angela comes around the corner of the house and walks to the ANGELA More RUSTLING. Angela bolts for the back-door. She yanks on Rickie stands over Angela. He helps her to her feet.
RICKIE Angela SLAMS the back-door and locks it. She turns to Rickie COREY ANGELA RICKIE COREY A GROWL from deep within the woods, then more RUSTLING. RICKIE The wolf creature is about to pounce when, from the woods:
SHARON (O.S.) A third wolf creature leaps from the woods. It back-flips ANGELA RICKIE COREY SHARON Sharon punctuates her order with a GROWL.
SHARON The first wolf creature lets loose with a LOW GROWL. It SHARON ANGELA KYLE SHARON The Dark Wolf comes to and rises, weakly.
KYLE SHARON RICKIE KYLE SHARON KYLE The Kyle wolf creature launches itself at Sharon. She braces RICK SHARON RICK The Rick Dark Wolf gallops toward Kyle and pounces on him. ANGELA Angela opens the door just as Sharon bursts in. All three SHARON ANGELA SHARON Sharon looks Angela up and down.
SHARON ANGELA RICKIE Sharon shoves Rickie, Corey, and Angela toward the door to SHARON Angela, Corey, and Rickie burst into the living room shoved RICKIE COREY SHARON COREY SHARON ANGELA SHARON ANGELA The three dash out the front door.
Sharon and the three human teenagers scramble across the Angela starts BANGING on the door while Rickie presses the COREY Sharon throws herself at the door and BREAKS IT DOWN.
SHARON The Rick and Kyle wolves circle each other.
KYLE RICK Kyle HOWLS in rage and leaps at Rick. The two tear into each ANGELA Sharon sniffs the air.
SHARON Sharon bounds up the stairs seven at a time.
Sharon reaches the top of the stairs in no time. Angela, SHARON RICKIE Sharon opens the door. Rickie, Angela, and Corey stand ANGELA Brian sits on the bed, his back against the headboard. He's PENCIL GIRL SHARON Brian takes a wild-eyed look at Sharon in her wolf form.
BRIAN SHARON PENCIL GIRL SHARON Sharon twists the handcuffs. They snap in half. Brian PENCIL GIRL Sharon smiles at the Pencil Girl and sidles up beside her. SHARON Sharon leans in close to the Pencil Girl and runs a clawed RICKIE Sharon pulls away from the Pencil Girl.
SHARON Brian ogles Sharon's ample chest. She looks down at where SHARON BRIAN SHARON Brian turns pale. He looks like he might even throw up.
SHARON BRIAN SHARON Sharon throws a punch at Brian -- CRUMP! She strikes the BRIAN SHARON A loud PUNCH. The Rick Dark Wolf sails through the air and The garage door begins to OPEN.
SHARON (VO) ANGELA (VO) A Range Rover goes TEARING out of the garage. Angela sits in BRIAN Angela FISH-TAILS the Range Rover out of the driveway and SHARON Angela SLAMS on the accelerator and guns it. Kyle flies over KYLE Without missing a beat, Kyle turns and starts after the car. BRIAN RICKIE SHARON Sharon pulls back her fist and aims it the window.
BRIAN Sharon PUNCHES the window, SHATTERING it.
BRIAN SHARON Sharon starts to climb out the window. As she gets her waist PENCIL GIRL Sharon climbs up onto the roof of the Range Rover. She takes Sharon COLLIDES solidly with Kyle. The two go tumbling end SHARON Rick lets Kyle's head drop to the ground with a THUD, then SHARON RICK Angela continues to drive.
BRIAN ANGELA RICKIE High atop a downtown building, Hallohan sits at the edge of HALLOHAN Vamp Hallie starts to turn over. Hallohan grabs her and HALLOHAN The two stand up and back away from the edge. Hallohan is VAMP HALLIE HALLOHAN VAMP HALLIE HALLOHAN VAMP HALLIE HALLOHAN VAMP HALLIE HALLOHAN Vamp Hallie nods yes.
HALLOHAN THE SUN HALLOHAN VAMP HALLIE Vamp Hallie wipes tears from her eyes. She looks at her VAMP HALLIE Vamp Hallie looks up at Hallohan. She's crying tears of HALLOHAN Hallohan steps up on the roof's edge and reaches his hand out END OF PART II
winter day. Then the quiet is broken as a red Plymouth comes
SCREECHING around the corner. The engine REVS. The car
SLAMS on the brakes, then FISH-TAILS around the next corner.
The sound of ANGELA'S LAUGHTER can be heard OVER this shot.
EXT. CHASE HOUSE/DRIVEWAY - DAY
SLIDES into the driveway of the Chase house, leaving black
tire marks in the street. The car STOPS, perfectly parked.
The ENGINE DIES. Angela gets out of the car and heads for
the front door when she stops and looks back at the car.
Well, come on!
out and collapses to the ground. Angela laughs and sprints
over to Jordan, who stares straight up at the sky.
better, aren't I?
I, like, need a drink.
INT. KRAKOW HOUSE/LIVING ROOM - NIGHT
On the tube, Abbott backs up, away from Dracula, and starts
gesturing wildly to Costello, then the wall swivels just as
Costello turns around.
They are safe from the legendary vampire prince... for now.
On the couch, Brian is flat on his back, the Pencil Girl
above him. She kisses him passionately. Brian flails
around, barely able to keep up with her. The Pencil Girl
takes Brian's hands and places them on her rear. Brian's
eyes bulge and he makes a whimpering sound. Then, the Pencil
Girl takes Brian's hands and places them up above his head.
She holds his hands against the armrest of the couch as she
begins to rock back and forth. Brian shuts his eyes in
ecstatic bliss, then his eyes open wide.
EXT. ROLLER COASTER - DAY
Brian sits alone in the head car of a roller coaster as it
begins a massive drop straight down.
Eeeeeeaaaaaaaaaggghhhhhh!!!
EXT. AIRPLANE/SKY - DAY
in the air. He shakes his head "no" vigorously, but someone
behind him shoves him out the door. As he plummets:
Eeeeeeaaaaaaaaaggghhhhhh!!!
INT. KRAKOW HOUSE/LIVING ROOM - NIGHT
Brian grunts twice, then passes out. Heavy breathing from
the Pencil Girl. She lifts herself up and looks at the
unconscious Brian.
Hey. Hey. Are you...?
picks up the remote to the TV. She flips to MTV, takes
another look at Brian, and sighs.
EXT. CITY STREET - NIGHT
tons of UNION CREW-MEMBERS who are sitting around playing
cards and other really important tasks litter the block.
Trucks are parked on either side of the street.
A PRODUCTION ASSISTANT shoos away an irate DRIVER.
But I live on the block! Where the
hell am I supposed to park?!
Not my problem. We posted flyers.
Move along. Move along. Can't park
here. Get towed. Move along.
Production Assistant the finger as he disappears around the
corner.
From down the block, Hallohan, Liberty High's newest guidance
counselor, stands, watching the movie crew. He turns and
begins walking down a perpendicular block.
INT. DANES APARTMENT/FRANK'S ROOM - NIGHT
when there's a TAP at the window. He slowly turns around in
his chair. There's nothing at the window except the building
across the street. Frank turns back to his science book. A
beat, then another TAP at the window. Frank swivels around.
Nothing. He slowly rises from his chair, goes to the window,
and looks out. The street four stories below is empty.
Then, a long blanket of cloth drops down in front of the
window, outside.
(from outside the
window)
Damn!
window, trying to pick up his long coat that dangles around
him like wings. Hallohan looks at Frank, then opens his
mouth wide, revealing fangs.
Frank starts to yell, but like lightning striking, Hallohan
SHATTERS the window, grabs Frank, and yanks him out into the
cold night air.
Hallohan's mouth caresses Frank's neck, then he sinks his
teeth in and chomps away, frenetically.
Frank's feet kick furiously as we hear the WET, BONE-
CRUNCHING sound of Frank's jugular being bitten through.
Blood runs down Frank's jeans, staining his white sneakers,
which, finally, stop kicking. A beat, then Frank's body
falls the four stories to the sidewalk, landing with a limp,
SQUISHY sound.
EXT. CHURCH/SIDEWALK - NIGHT
handkerchief. He licks his lips.
Mmm-mmm good!
stops and looks at the church in front of him. He snarls and
hisses.
A CAT, standing on the church steps, raises its back and
hisses at Hallohan, then takes off running down the block.
Oh, what the hell. There's always
room for desert.
cat.
EXT. STAIRWAY - NIGHT
wall, but Hallohan snatches the cat up and bites into its
neck. He CHOMPS down, then twists the cat's head off with
his teeth. He spits the cat's head out. It bounces off the
wall and rolls into a corner. Hallohan lifts the cat's body
up over his head and drinks the blood that pours out. When
he's had enough, Hallohan throws the cat's body against the
way where it sticks with a LIQUID "SPLUTCH". A beat, then
the cat's body slides off the wall and to the ground.
Ugh. I always forget how much I hate
the taste of pussy blood.
(very faintly)
Help...
(faintly)
Help...
wall. The bricks start to give. Hallohan tries again and
this time the brick wall COLLAPSES inward.
INT. CATACOMBS - NIGHT
GRAHAM, who's dead, and HALLIE, who isn't, but probably
wishes she were.
(whispers)
Help...
calls for help are simply an echo of whatever part of her
used to be conscious. Hallohan bends down over Hallie and
props her head up with his hands. Stirred by the motion,
Hallie is barely able to open her eyes, but only a crack.
Hallie manages the barest of smiles for her savior.
(whispers)
He... wouldn't eat... the TV
dinners... but I did.
face. He looks shell-shocked.
I'm in love.
All right, gorgeous. You know what
a Slow Bleed is? It's when a vampire
drains you -- that's right, you
guessed it -- slowly. You see, what
kills you mortals is the trauma of
having your blood sucked out all at
once. It's a hell of a shock to the
system.
the smallest amount of pressure until he breaks through the
skin. He sucks her blood, then Hallohan bites at his own
wrist and pours his blood into Hallie's mouth.
But if your body is given time to
regenerate plasma which is tainted
with my own blood, hey, we're surfing
vamp city, babe.
lets his own blood drip into Hallie's mouth.
God, you taste you good.
into massive convulsions. Hallohan holds her tightly, like
a rock, as she kicks and spasms.
That's it, girl. That's it. Just
let it ride its course through that
incredible body of yours.
exhausted, and passes out again. Hallohan lifts her up and
heads for the hole in the wall.
You know that expression, "Life's a
bitch"? Well, I always thought that
death was the bitch, but then I died.
I found out she's not so bad at all,
is she? She's quite nice. A bit
young, but very perky. Tell her I
say "hi". I'll be here when you get
back.
INT. KRAKOW HOUSE/LIVING ROOM - NIGHT
stretches like a little baby. Then he sits straight up and
looks around. The Pencil Girl is gone. He rises from the
couch and starts walking around.
Hello?
INT. KRAKOW HOUSE/UPSTAIRS HALLWAY - NIGHT
Hello?
the hall.
INT. KRAKOW HOUSE/MASTER BEDROOM - NIGHT
bedroom. The door opens.
Um, you, like shouldn't really be in
here.
Come sit on the bed.
Um... would it be all right if I
just, you know, changed clothes?
Just for a second.
approaches.
I found some interesting things in
your parents' closet.
Um, like what?
wrist is handcuffed to the head of the bed.
Fun toys.
EXT. CHASE HOUSE - NIGHT
neighborhood. A dog HOWLS somewhere off in the distance.
INT. CHASE HOUSE/UPSTAIRS HALLWAY - NIGHT
at the end of the hall. He tries the knob, but it's locked.
A toilet FLUSHES o.s. and Jordan, naked, too, opens the door.
Oh.
at each other.
Hey.
Hey.
Have you ever read "Dracula"?
No. Do you like fried chicken?
What?
Uh, never mind. It was just...
Dustin Hoffman, Meryl Streep, that
kid... forget it.
shrugs and heads back to Angela's room.
INT. CHASE HOUSE/ANGELA'S ROOM - NIGHT
with her.
I ran into that kid.
Ran into... Rickie?
No, the white kid that looks like the
Blue Power Ranger.
Corey.
Yeah, he was going to the, you know,
bathroom. He and Richie hang out a
lot, don't they?
Rickie. And, yeah, Corey sleeps over
as much as you do. Are you sure it's
all right with your dad that you
spend, like, every night here?
It's kinda like they're, you know,
gay or something.
They are gay. Didn't you know?
Who's gay?
Rickie and Corey!
Richie and Corey are fags?!
Jordan!
I've been sleeping in the same house
as a couple of butt-buddies?!
Jordan, keep your voice down!
What are you doing?
I didn't know they were fags.
They've been, like, doing it all this
time?
Well, so have we.
Yeah, but, like, which one's the man
and which one's the woman?
Jordan!
What's everyone at school think of me
now, spending every night in a house
with two faggots? That I'm one, too?
No one at school thinks anything of
you. And stop calling them fags.
Where are you going?
blanket around her. She follows him.
INT. CHASE HOUSE/LIVING ROOM - NIGHT
Jordan, wait!
Look, I'm not... It's not, like...
We! Are okay. Okay? I just can't,
like, stay in this house. Not
tonight.
Jordan, come back inside. It's
freezing. Please, come back inside.
I don't -- I don't want to be alone.
Not with Danielle and my parents, you
know...
of them. They kiss, then Jordan steps away from her.
I'll be back before school to pick
you up, okay?
EXT. CHASE HOUSE - NIGHT
his car. The front door shuts behind her. Jordan drives
away. Angela turns and tries the door. It's locked.
Awwwww, man...
around the side of the house.
something watches Angela. We can hear its HEAVY BREATHING.
EXT. CHASE HOUSE/BACKYARD - NIGHT
back-door.
She spins around when she hears a RUSTLING in the woods.
Angela freezes.
(whispers)
Hello...?
it, but it's locked. A GROWL from the woods causes Angela to
start BANGING on the door. Suddenly, the door opens wide and
Angela goes tumbling inward with a scream.
INT. CHASE HOUSE/KITCHEN - NIGHT
Angela! Are you all right?! What
were you doing out there?!
and then sees Corey sitting on the kitchen counter. He's
eating cheese.
You okay?
Uh, yeah! I was... I got locked out
and -- and I just got really spooked,
that's all. What, um, what are you
guys, like, doing?
Midnight snack.
Want some cheese?
EXT. CHASE HOUSE/BACKYARD - NIGHT
Suddenly, a WOLF CREATURE launches itself from the woods and
lands with a solid THUD. Unlike the Delia wolf creature,
this one stands on its hind-legs, like a human.
The wolf creature spins around, facing the direction it came
from, when the huge Dark Wolf that saved Sharon bursts from
the woods and SLAMS into the first creature. Both wolves
tumble over, slashing at each other, then they separate and
face off.
The Dark Wolf GROWLS at the wolf creature when suddenly the
back-door is thrown open and Rickie, Angela, and Corey stand
there gaping at the two wolves. The wolf creature turns to
the three teenagers and ROARS at them, ready to pounce. The
Dark Wolf launches itself at the wolf creature, but the
creature SLAMS its fist into the Dark Wolf. It is sent
flying backward, where it lands in the snow with an awful
"THUD". The Dark Wolf lies very still, not moving. The wolf
creature turns back toward Angela and the others.
Nuh-nice doggie!
(wolf voice)
No!
through the air, arcing gracefully, and lands in-between the
first wolf creature and the teenagers.
Standing in the moonlight, we can clearly see that the latest
lupine newcomer is Sharon. Her shapely body, while covered
in fur, stands upright, like the first wolf creature. Her
eyes are the same, but her mouth and nose are slightly
extended in a snout and her wild hair is part fur. When
Sharon speaks it is in a rough, animalistic voice.
Sharon?
She's a -- she's a...
She-wolf.
(quick beat)
Cool.
(wolf voice; to first
wolf creature)
Back off!
(wolf voice)
Did you hear me? I told you to stay
away from them!
takes a threatening step forward.
(wolf voice)
I'm warning you, Kyle!
Kyle?! That thing is Kyle?!
(wolf voice)
But I love you, Sharon! I want you
to be my mate! I'd do anything for
you!
(wolf voice)
But you're not my alpha male, Kyle.
I don't love you.
(wolf voice)
I -- I'm going to kill them for you,
Sharon! I'm going to do it because
you want them dead! Because I love
you!
(wolf voice)
No! I wanted Jordan dead, but that
was before the Change! Now I realize
it doesn't matter what happens with
them! We exist in a different world
than they do! They're petty! What
means the end of the world to them is
meaningless to us! They don't matter!
Well, like, excuse us.
(wolf voice)
I -- I don't understand what you're
saying! All I can think about is the
kill! I have to kill for you, Sharon!
Kyle, you're all confused. The
Animal is taking control, but you
can't let it. You need help.
(wolf voice)
Help?! What kind of help can I use?!
They have a twenty-four hour hot-line
for werewolves?! No!
for the impact, but the Dark Wolf SLAMS into Kyle and sends
him flying into a tree. The trunk CRACKS from the force of
the impact.
The Dark Wolf's form shifts. It stands up on its hind-legs
like Sharon and Kyle. When it talks, the Dark Wolf speaks
with Rick Derringer's voice, but, surprisingly, it has only
the slightest hint of animalistic tone.
(to Sharon)
Go. Get them out of here.
(wolf voice)
What are you going to do to Kyle?
Don't...!
Kill him, if I have to. I'm sorry.
Go.
Sharon runs toward the back-door. Rickie shrieks and starts
to slam the door.
No!
teens fall backward to the floor.
(wolf voice)
Sorry.
Sharon! What...?! What...?!
(wolf voice)
What, what, Angela?! I have very
little patience these days! It's one
of the side-effects of my condition!
I'm, like, barely keeping my temper
in check here!
(wolf voice)
Angela, did I ever tell you that your
body is filling out quite nicely?
That's gross!
Would that be, like, considered
lesbianism or bestiality?
the dining room.
(wolf voice)
Move!
INT. CHASE HOUSE/DINING ROOM - NIGHT
along by Sharon. They make a bee-line for the front door.
Hey, is that Rick? He's, like,
gorgeous. Even as a dog.
I know! Isn't he?!
(wolf voice)
He's not a dog! Move!
(to Sharon)
You are so lucky.
(wolf voice)
Thank you! Move!
But where are we going? Jordan isn't
here! We've got no car!
(wolf voice)
Brian's got one! Go! Go!
Krakow?!
EXT. CHASE HOUSE - NIGHT
street to the Krakow house.
EXT. KRAKOW HOUSE - NIGHT
DOORBELL.
You think he's home?
(wolf voice)
Knock, knock.
EXT. CHASE HOUSE/BACKYARD - NIGHT
(wolf voice)
Stay the hell away from her, Rick!
Sharon's mine!
You'd better learn quick when to back
off, puppy-dog, or I'm going to smack
your nose with a rolled-up newspaper
and laugh my tail off when I hear you
whimper.
other.
INT. KRAKOW HOUSE/LIVING ROOM - NIGHT
I don't think he's home.
(wolf voice)
He's home. And he's got company.
This way.
INT. KRAKOW HOUSE/UPSTAIRS HALLWAY - NIGHT
Rickie, and Corey struggle to catch up. Sharon turns to a
door at the end of the hall.
They're in there.
"They"?
INT. KRAKOW HOUSE/MASTER BEDROOM - NIGHT
behind her with stunned expressions.
Krakow...
decked out in leather shorts and a leather harness that criss-
crosses over his chest. Each wrist is handcuffed to the bed
and he has a leather gag over his mouth. He stares wide-eyed
at the new people at the door.
The Pencil Girl stands by the side of the bed, holding a
riding crop and wearing a leather teddy and a leather
baseball cap. She turns casually to Sharon and the others.
I thought I heard someone downstairs.
Come to join the party?
It's tempting, but no.
(muffled)
Phannen?!
(wolf voice)
Come on. We've got to go. Where are
the keys to the cuffs?
Keys?
(wolf voice)
Never mind.
winces in pain.
(to Sharon)
That is such a hot look for you.
Sharon strokes the Pencil Girl's riding crop.
(wolf voice)
I can return the compliment. You're
lookin' fine, girlfriend. What did
you say your name was?
finger along the Pencil Girl's chest.
Are, like, the stars aligning or
something? What's with the libido,
Sharon?
(wolf voice; to Brian)
Come on. We've got to get your
parents' car keys and get the hell
out of Dodge.
he's staring.
(wolf voice)
What the hell are you staring at?!
My, what large breasts you have,
Grandma!
(wolf voice)
Shut up, Krakow, or I'll eat your
goddamn liver!
(wolf voice)
Now go get the car keys, bondage boy!
But none of us can drive!
(wolf voice)
Nnnnuhhh-rraaarrggghhhhh!!!
headboard instead, cracking it in two. Brian stares at the
headboard.
Kuh-kuh-kuh...
(wolf voice)
Keys!
EXT. CHASE HOUSE/BACKYARD - NIGHT
LANDS on the ground. Kyle sneers at Rick, then spins around.
He runs to the side of the Chase house. Rick rises and
shakes his head to clear it. He shifts back into his fully
lupine Dark Wolf form and pursues Kyle.
EXT. KRAKOW HOUSE/DRIVEWAY - NIGHT
(wolf voice)
Are you sure you can drive?
Positive!
the driver's seat. The rest of the gang is piled into the
car around her.
INT. RANGE ROVER - NIGHT
I don't even have time to change?!
into the street just as the Kyle wolf creature LANDS on the
hood of the car. Everyone screams.
(wolf voice)
Peel! Peel!
the roof of the car as it takes off down the street.
(wolf voice)
Shhhhaaarrruuuuhhnnnn!
From around the corner of the Chase house, the Dark Wolf
emerges, running after Kyle.
There's, like, a really big dog after
us, guys!
Ohmigod! I have to pee!
(wolf voice)
I've got to help.
What are you doing?! Roll it down!
Roll it down!
What's wrong with you?!
(wolf voice)
Oh. Sorry. I forget things when I'm
like this.
out the window, the Pencil Girl reaches over and pets
Sharon's backside.
Ooo. Smooth.
EXT. RANGE ROVER - NIGHT
careful aim and leaps.
EXT. STREET - NIGHT
over end as the Range Rover rounds another corner and
disappears from sight.
Kyle is the first to his feet. He grabs Sharon by the neck
when the Dark Wolf SLAMS into him. Rick quickly shifts into
his upright form, then starts to BASH Kyle's head into the
ground over and over. Sharon grabs a hold of Rick's arm. He
SNARLS at her and throws her off, then continues to BASH
Kyle's head. Sharon picks herself up and pounces on Rick,
RIPPING AND CLAWING at his back. Rick HOWLS in pain, but
stops bashing Kyle's noggin.
Sharon and Rick remain motionless as their heavy breathing
dies down. Rick lifts Kyle's head. His head is a bloody
mess.
(wolf voice)
Is he dead?
Rick shifts into his nude human form.
(wolf voice)
You can do that at night?
You'll learn.
INT. RANGE ROVER - NIGHT
Where are we going?! Where are we
going?!
I don't know! I don't know!
I've, like, really got to pee!
EXT. ROOFTOP - NIGHT
a rooftop, staring out at the city beyond. Hallie, now known
as Vamp Hallie, lies on the edge next to Hallohan, her head
resting in his lap. Slowly, she stirs, then wakes. She
opens her eyes and looks up at Hallohan.
Hey, gorgeous.
pulls her back to the safe side of the roof.
Whoops! Careful. Long way down.
careful to make sure Vamp Hallie is steady.
How'd I get up here?
I carried you.
And who are you again?
I'm Hallohan.
Hallohan? That's funny. I'm Hallie.
It's cosmic destiny, I'm telling you.
I'm thirsty. Where's Graham?
Your friend who was with you beneath
the church?
Um. Bad news, love.
begins its slow ascent into the sky as Hallohan tells Vamp
Hallie about the night's events. We're too far way to hear.
Vamp Hallie drops to her knees.
I'm sorry.
That patchwork bitch.
fingers. There's blood on them.
Oh, God...
blood. Hallohan licks his fingers and wipes the streaked
blood off Vamp Hallie's face. He eyes the rising sun
nervously.
Look, gorgeous, um, that orange orb
in the sky means that we've got to
vamoose or it's flambe time. And
I've got to get to work, too. But
I'll meet you after dark. I got a
project for you. Consider it payback
for saving your life.
to Vamp Hallie. She takes it and steps up next to Hallohan.
Together, they both step off the roof and disappear from
sight.
english | Rating: R