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Claire Danes - Start Remembering Her Name

January 25, 1995


Start Remembering Her Name-You're Going To Need To Know It

by Mark Marvel

Claire Danes: My name is Claire. I'm fifteen years old. I grew up in New York, on Crosby Street in SoHo. Nobody else in my family acts.

Mark Marvel: So how did you get involved in acting?

CD: It's kind of a long story; I guess everyone has a long story. I've danced since I was a little girl--modern dance. I did a few artsy-fartsy dance performances on the Lower East Side, and that got me started performing. Then I went to the Lee Strasbourg Performing Institute when I was eleven and I learned more about what acting was and I loved it. Then I went to this brand-new performing arts junior high school because I hated my elementary school and I wanted to get out.

MM: Do you empathize with your character, Angela, in MSCL, because she hates school too.

CD: Well, yeah. When you're a teenager it's hard not empathizing with that. But Angela is a really hard role because she talks about ideas that I myself haven't yet sorted out. So it's sort of--

MM: Method living.

CD: Yeah, it's like picking at this open sore. That sounds a little dark, but it's true.

MM: What was it like to play a teen from a different time in Little Woman?

CD: I had to do a serious switching of gears from this '90's grunge chick, whatever that means, to this homey, saintly character. It was fun to finally dip my feet into some new waters because I had worked so long on MSCL. But LW really about being a teenager; it's more about the relationship between the sisters and being a family. A huge part of my role in the movie is that I die, which was a pretty intense experience. I didn't expect it to be as hard as it was. I would change into this scarlet fever makeup in the trailer and it was really upsetting. I remember walking onto the set for the first time that way. the crew would whisper when they were around me. They'd open doors for me. It was hard for my mom to look at me like that, and hard for me too. I did looping a few weeks ago, and I was there for, like, nine-and-a-half hours looking at myself sick and dying. I left all shaken up that day.

MM: Death isn't something teenagers often think about.

CD: At every stage in life you think about death. But teenagers especially are sort of invincible. They're no supposed to be thinking about dying yet, or else they'd be too afraid to live. Beth's regarded as the weak, frail sister, though in a lot of ways she supports the rest of the family--especially Jo, which is ironic because Jo is the outgoing, brave, strong one.

MM: What was it like to discover through Beth such a different period in the lives of women.

CD: When we started I didn't know anything about that time period. I'd read the book. They gave us this little pamphlet of mannerisms and rules of ettiquette. I thought, Shit, do I have to read this whole thing? Do I have to memorize all of this? Like, you can do a million things with a fan at a party, and there are all these flirtation signals. Woman had to sit up straight all the time, and wear these corsets. And I'm thinking, How brutal to live like that. It's great to know we've come this far, although we have a lot further to go. As with any kind of prejudice, we're not even aware of half the levels to it. If we knew how women were discriminated against, we might be able to solve the problem.

MM: It must give you new understanding when you do a movie that lets you see the roots of some of that.

CD: I learned a lot doing this movie. And I felt really lucky working with such a strong group of women.

MM: What did you learn most about yourself?

CD: God, that's a heavy question. It gave me a new appreciation for people like Beth, who are overlooked and underappreciated. When I first walked into LW, I was saying," How am I going to play Beth? I don't have anything in common with this character." As the shoot continued I realized we were similar in certain ways.


CD: I never thought of myself as shy, and then I relaized I am kind of shy; I've just built defences to hide it. Beth also has a maturity, which I think I have, and maybe I brought that to her--this understanding about her family and how it works. She's perceptive and I'm perceptive. But the thing that I really respected about Beth was her generousity toward other people, which I wish I could have more of. People ask me if I would hang out with Angela if she were real, and I don't know if I would, yet I find solace with her, and we've gotten close in a lot of ways. It can be so lonely when I work. There aren't many kids my age, besides the people on the show, that I hang around with. I'm close to them, but sometimes it doesn't cut it as a social life. So Angela does become my friend, you know.

MM: What do you think about the way teenagers are represented today--you know the whole Generation X thing?

CD: Well what do you think that image is? The slacker thing? Or having no hope? Or being cycnical? I think people of my generation are really worrying about their zits, and getting that date for Friday night. I think that's their reality. I don't know if they're worrying too hard about their future

MM: Is that stuff you worry about yourself?

CD: What, zits and if I'm going to get that date? Oh absolutely, and thank God I do. It proves I'm normal. But I'm constantly analyzing being a teenager. Every week I have to look in the mirror of the show. When I was a little girl, I worshipped those John Hughes movies, like Sixteen Candles and The Breakfast Club; Footloose is still one of my favorite movies. I was fascinatedwith teenagers, and I wanted to be one so badly. And here I am sort of living in one of those movies!

MM: Do you think it's a good time to be a teenager now?

CD: It's an exciting time. But I also think people are afraid somehow. this is sort of a scary time--with AIDS and all this technology, and the media and everything.

MM: Scarlet fever was an equivalent to AIDS at the time of LW. Even at fifteen, you have to think about AIDS now.

CD: Yes, but I don't deal with it directly. I'm not even having sex yet. But it is this overlying cloud or fear that surrounds you. It is there in the back part of my head.

MM: Talking about fear, do you ever get that the feeling that adults are scared of teenagers.

CD: Yes, in the sense that their kids are finally thinking for themselves and becoming less dependent and likely to do something different. Teenagers have this intense energy that can't be touched and is so specific to that age. It's very powerful, I think, and frightening to adults. There might also be a tinge of jealousy, because teenagers have these healthy bodies and they're ready to attack the world. That can be threatening. Change is scary, and most adults don't quite trust that.

MM: Has your life changed?

CD: It's taken this huge 180-degree turn overnight, it seems. When I started MSCL, my family and I moved across the country. I left all my friends behind and now I'm living this strange life in a bubble. I've gotten close to a whole new group of people. A lot has happened, and I'm still digesting it all, but it's good. I wanted it all to happen and I'm so thankful I'm having a break from high school. Working gives you this new perspective. You don't take everything too seriously, and if you realize that if you don't do too well ona history test it's not the end of the world. But it also gives you this distance from other kids, which is sad, because it's like this point of no return. Now I feel more different than I already did.

“School is a battlefield for your heart.”

Angela Chase, Episode 1: "My So-Called Life (Pilot)"